Since the exciting appointment of Glenn Martens in October 2020, Diesel has been the trending brand on the block. Popular in the 90s and early 2000’s the brand was loved for its provocative marketing and distressed Denim, before dropping behind with the rise of the high street.
But, the brand is back and it is a Diesel-mania world we are currently living in. Reinventing the brand with diversity and sustainability at the forefront, Glenn Martens has led the Y2K trend. Making it into the top 10 most popular brands for the first time ever, we are talking about the brand’s cult handbag that has cemented that title. Designed by Martens himself, here is the rise of the 1DR bag and why everyone is talking about them…

@sianeastmentwilliams
1DR Diesel Bags features & functionality
The 1DR bag is a classic shoulder bag silhouette, crafted from nappa leather with a metallic-coated finish. The front of the bag has an embossed motif and features a handle. The larger style fits over the shoulder, but the smaller size is more of a grab-bag size. They both have an optional belt-like strap for cross-body wear. The tonal metal Oval D plaque on the flap makes it instantly recognisable.
- Composition: 80%Polyethylene Terephthalate 20% Cow Leather
- Top handle that can be folded under the bag
- Detachable and adjustable strap
- Magnetic flap closure
- Inside: slip pocket and flat compartment
The measurements for the 1DR Shoulder Bags
- 1DR Shoulder bag Dimensions: H: 13.5cm x W: 20.5cm x D: 7cm
- 1Dr XS Mini bag Dimensions: H: 9cm x W: 12.5cm x D: 6cm. Strap drop: 7cm
- 1DR XXS Shoulder Bag Dimensions: H: 5.5cm x W: 7.5cm x D: 3.5cm

@ashleyogarcia
Who is the Creative Director, Glenn Martens?
Glenn Martens is the Belgium designer who previously worked at Jean Paul Gaultier. Bruges-born and raised, and trained at Antwerp’s lauded Royal Academy of Fine Arts, the creative was behind Y/Project, and has now been at the four-decade-old Italian fashion house Diesel for nearly 3 years.
Martens, who first trained as an interior architect, blends historical influences into his contemporary designs. With the construction of the garment always his starting point, in an interview with GQ, he noted his designs are ‘woozy and wonky, but never whimsical; asymmetrical but somehow balanced. It’s a night out at a warehouse, with exactly the right amount of uppers and downers. I think these are clothes that I think I can wear, and that I can see easily in the clubs in Paris and London’.